![]() Whether that script reader is at a small production company or a major studio, the service she provides is essentially the same: Reading screenplays and teleplays (and sometimes novels) and writing script coverage. ![]() There just aren’t enough hours in the day. And without reading the material submitted to them, they can’t determine which ones are marketable, artistically credible, and/or simply worth pursuing. ![]() Without script readers, filmmakers, studios, small production companies, actors, agents, directors, and producers couldn’t possibly read all the spec scripts and other material submitted to them. Coverage of a screenplay is typically written by what are called script readers. Script coverage is a “book report” on a screenplay, typically 3-4 pages in length and consists of three parts: (a) the basic information about the script (author, genre, page count, logline, etc.), (b) a brief synopsis of the film, and (c) a comments / feedback section, containing a script reader’s comments on the screenplay’s strengths and weaknesses.
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